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UPDATE: July 2025 - A very rare, unusual galvanic battery was listed this month on eBay, and I secured the kind permission of the seller to show the item on this blog post. Definitely worth a look - SEE THE STARTLING IMAGE NEAR THE BOTTOM OF THIS POST! It has a fascinating mixture of cosmic symbolism: the sun and a crescent moon, two hearts, and a pair of all-seeing eyes, all framed by a horseshoe and divided by a Christian cross. A potent combination of talismanic protection from illness, bad luck, and evil - talk about a defense and cure-all for anything evil that might approach!

It doesn’t happen often.

After 40 years of collecting Victorian advertising, it has to be something truly special to catch my eye. It must be so different that it makes me do a double-take. My finger slips off the mouse button, and my head leans forward, bringing my face close to the screen. My eyes go into microscopic-focus mode to ensure I’m not imagining things. My brain kicks into overdrive, checking my virtual collection to confirm I don’t already own one. It studies the subject for possible subliminal messages, cultural significance, and historical relevance. I soak in the richness of the colors, the allure of the graphics, and the brilliance of the design.

On those rare occasions when the image exceeds my wildest expectations, the little boy in me pronounces the official response of my experienced, high-level analysis:

“Cooooool!”

Click. Somewhere out there, I’ve made a seller happy. Okay, calm down, adrenaline; it’s mine.

The Discovery of Hall’s Galvano-Electric Plaster

I recently had such an experience, and I’d like to share it with you. About a month ago, I saw the Hall’s Galvano-Electric Plaster trade card for the first time ever. I’ve spent so much time examining this card and researching the backstory of the product and its advertising that it has taken me until now to be ready to report my findings. I discovered far more about the product and the man behind it than I had expected. This has left me in a quandary about how to present it in a blog post.

I’ve decided to approach it differently: this post will focus exclusively on this one advertising trade card, while the next post will delve into the whole story—the inventor of this product, his life, how he created this particular medical item, and what happened to both him and his invention.

So for today, let’s focus on the curious medical device that bamboozled both the patient and the inventor alike: Hall’s Galvano-Electric Plaster.
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Mustard and Frogs’ Legs

The inventor of this device was Reuben P. Hall, a former peddler with no formal medical education. However, what he lacked in knowledge, he made up for with a vivid imagination, meticulous ingenuity, and keen perception. He saw two medical treatments—ancient plasters and modern electricity—being used for the same aches, pains, and diseases. In 1874, he figured out a way to bring these two methods together into one new and improved solution.

For centuries, wives and mothers made a home remedy called plasters from ingredients they had on hand. Mustard plasters were the most common form, made by mixing mustard powder, flour, and water into a paste. This gloopy mess was spread on one side of a piece of fabric and applied wherever on the body it was needed, such as on the chest for colds and congestion or on the back for arthritis, muscle pain, and backache. The mixture provided penetrating warmth to the area beneath. Today’s more modern-sounding and medicinally improved “pain relief patches” are the evolved descendants of this time-honored practice.

In 1874, electricity was still more mystery than science when Reuben claimed he had harnessed it in his plaster. Almost a century earlier, the Italian physician Luigi Galvani applied an electrical spark to a dead frog, causing its legs to twitch with animation. This result led many to believe that if electricity could bring life to part of a dead frog, it could help revive and restore humans’ pained and diseased bodies. Consequently, all sorts of medical devices promising rejuvenation emerged, often referred to as magnetic or galvanic electricity. People bought hand-cranked magneto-electric units to cure ailing family members at home, sometimes combining low-voltage shocks with steam cabinets and baths. Others purchased belts lined with various configurations of metal discs or cylinders to be worn under their clothing, next to the skin, to generate an electric current through the body. Often, men’s belts included a scrotal sack feature hanging below to bring some zip-a-dee back to the doo-dah.

Patented Magic


In his patent application, Reuben Hall provided a detailed review of the ever-expanding array of electrical appliances being foisted on the public. He also pointed out their shortcomings, the worst of which was the lack of traditional medicine being passed into the body. Unlike the age-old mustard plasters, electricity was the only medicine served up by the new medical shock equipment:

Electric currents have long been used by the medical profession in the treatment of many diseases. They have been applied in many ways. Currents from batteries, induction apparatus, or frictional apparatus have been used, by means of wires and electrodes placed on designated parts of the body. In other cases, they have been applied through the medium of baths, and in still others, by Voltaic belts, to be worn upon the body, the current being there both generated and applied. Their use has not been as extensive as it might have been, for the reason that while they were used, the ordinary exterior local applications of medicine could not be used, as was often desirable.

In electric baths, this has been remedied to some extent by enclosing the bath and supplying medicated air or vapor to the patient while under treatment. This involves a cumbersome and expensive apparatus, and can be used only for limited periods and at intervals.

Reuben then presented the patent examiners with his alternative—a unique invention in the medical electricity marketplace: a medicinal plaster with electrical components embedded in the fabric. On his detailed illustration below, two “electrically dissimilar galvanic elements” (like copper and zinc), labeled “P” and “N,” were heart-shaped metal plates connected by a wire underneath. Human perspiration completed the electrical circuit started by the two hearts and wire, producing a current. The latent electrical energy in the human body was thus triggered into action, much like the frog legs.

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The key difference between Reuben’s invention and all the other electrical devices then in existence was the combination of electricity generation and simultaneous medicinal application. Yet ironically, his patent drawing downplayed what medicine should be used:

E is any suitable base or fabric, upon which is spread any suitable medical compound, A. To the composition of this compound, I make no claim as it may be varied to suit various conditions or diagnoses.

Customers or their pharmacists could apply whatever medication they chose to the plaster. It wasn’t so much that Reuben was ambivalent about the medicine; he was focused on developing the next generation of electrical medicine. That, apparently, was where the real money was.

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Miracle Born in the Storm Clouds

I’ve only seen this one advertising trade card for his product—I doubt there were any more. This trade card design captured the curative magic of Hall’s Galvano-Electric Plasters, showing the dramatic transformation from sickness to health. Under decorative arches, the archetypal before-and-after combination of a sick man and his healthy counterpart clearly displayed the benefit of the plasters. There could be nothing better than the visual of a man tossing his crutches and doing a jig to demonstrate the miracle of Hall’s plaster. Before-and-after visuals were a popular and often-used convention for medical advertising; Parker’s Ginger Tonic and Buckingham’s Dye for Whiskers were two such products with several equally effective variations on the theme. Tossing one’s crutches and doing a silly dance was a powerful way of showcasing the cure’s effectiveness and the joy it brought.

To keep the customer focused on the product even longer, a poem followed the illustration. Written in contrived quatrains of butchered iambic pentameter, the point was not to present a timeless sonnet but to amuse and vividly praise Hall’s plaster for capturing the power of the gods: lightning –

Deep in the storm cloud’s womb I have my birth,
Thence flashed by Angel’s wings from Heaven to Earth,
Under the magic of my touch, old Pain
Wages his fiercest warfare all in vain

What Heaven-borne power slays disease’s demons in an hour?
… the mighty master –
… Hall’s Galvano-electric plaster!

The card displayed first-rate creativity but second-rate execution. The artwork was nice but not refined, the color palette was minimal, and the poetry was hackneyed. However, the message was crystal clear: Hall’s Galvano-Electric Plaster cured the hopeless and miserable. An 1878 advertisement in the Boston Globe stated, “STOP PAIN AS IF BY MAGIC. THEY REALLY PERFORM MIRACLES.”

The trade card’s reverse side has a few variants. The version shown here is the trademark registered in January 1877 (see the evolution of the trademark design further below). The advertisement describes the “Galvanic Battery” embedded in the plaster that produces “a constant but mild current of Electricity, which is most exhilarating” when the electrical circuit is completed by being put in contact with the body. Twenty-five medical miseries, ranging from weak eyes and constipation to lung and heart disease, would be speedily cured by the electricity, “those subtle and mysterious elements of nature,” produced by Hall’s plaster. The last promotional line summarizes the benefits illustrated on the card front, once again promising nothing short of miracles: “They cause the Lame to leap with joy and the Halt to take up their beds and walk,” subliminally reminding the reader of the same miracle performed by none other than Jesus himself. (John 5:8-9; also see Isaiah 35:6)

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Professor of Nothing

It wasn’t just lightning that was in the clouds; doom was in the air as well.

Hall’s plaster advertising ran across nine states in 1874, but the number of states kept diminishing each year thereafter. Just a few short years into the sales of Hall’s Galvano Electric Plaster, a lightning storm of new-fangled electrical medical devices made their appearance across the land—and on people’s upper chests.

These devices were also described as galvano-electrical batteries but lacked any medicinal plaster component. They were distinctly designed to be stylish, even fashionable jewelry-like medical devices: small and shiny, suspended most often by a silk band, worn at the top of the cleavage. Although the instructions generally recommended wearing them “as close to the heart as possible,” they were pretty items, with a pleasing arrangement of disks made from different metals like bronze, copper, nickel, and zinc, arranged in a circular pattern around a central object. This central object could be a flower, hexagon, cross, heart, or other design, each created by a different manufacturer. Most were enclosed in a circular band of bronze or white metal; one was edged in a horseshoe pattern, and Scott’s Galvanic Generator was extra-fancy, with a sculpted winged cherub holding bundles of lightning bolts on one side while the reverse side had a zinc fist similarly clutching lightning bolts, all embedded in a copper shield. Hall’s Galvanic-Electric Plaster was expected to be hidden under clothing; Boyd’s Battery, Scott's Galvanic Generator, and the rest of the batteries produced from 1878-1886 were designed to be the center of attention and in the public eye.

London Galvanic Generator, Pall Mall Electric Association, ca. 1881. (left) front side - winged cherub sculpted in Lionite, holding bunches of lightning bolts; (right) reverse side - copper plate with embedded zinc in the shape of a fist holding lightning bolts. Rapoza collection.
London Galvanic Generator, Pall Mall Electric Association, ca. 1881. (left) front side - winged cherub sculpted in Lionite, holding bunches of lightning bolts; (right) reverse side - copper plate with embedded zinc in the shape of a fist holding lightning bolts. Rapoza collection.
While their public exposure surely increased their popularity, it also brought them condemnation from critics who insisted they weren’t providing any medical benefit at all. Calling electric batteries “toys,” the faultfinders guffawed that “a wooden button worn upon the breast would be quite as effective as the so-called ‘batteries’ which have hitherto been sold as curative to an over-credulous public.” They even claimed that wearing a slice from an ear of corn would do as much good (and look pretty much like) as one of the batteries. To the critics, the popular belief in the curative power of electric batteries fell into the same realm of superstition as those “otherwise intelligent persons [who] believe that carrying a Horse Chestnut in the pocket will keep off rheumatism.”

The detractors also targeted the “before-and-after” illustrations that Hall’s plaster and other electric battery companies used to promise amazing results. The critic’s sarcasm was as vicious as it was humorous:

There is a picture of a man without any battery, labelled “Before Using,” and another picture of a man with a battery, labelled “After Using.” Now if these pictures are accurate representations of the man before and after, we protest against its use. One has only to wear one of these things, and his own mother would not know him. A rogue has hereafter no need to go to Canada to escape justice. All he has to do is to wear one of these batteries, and if these pictures are true, he becomes another man altogether.

Electrical batteries like Hall’s and all the rest faced stiff headwinds at the same time they were being warmly received by the public. They didn’t last long, likely due to a combination of significant critical opinion and the fact that they simply didn’t work.

There is no more development of electrical action between these bits of metal than there is between the coins in one’s pocket—and we pronounce the thing to be an UTTER BARE-FACED FRAUD.

People still suffered from weak eyes, constipation, and heart disease even though electrical batteries dangled from their necks or Hall’s Galvano-Electric Plaster stuck to their backs. If there was any improvement, it was more likely the result of time and nature providing their own remedy or, in the case of constipation, time and nature might be aided by a heaping plate of beans.

During an intense courtroom cross-examination in 1882, one of the leading electric battery manufacturers, Professor John C. Boyd, was asked, “Professor of what?” Responding under oath, his telling reply was, “Professor of nothing.” His credentials, like his product, were a ruse, good for nothing. The only thing shocking about Hall’s plaster and the subsequent wearable electrical batteries was that they didn’t work; they didn’t generate electricity, and they didn’t cure or remedy disease. They do make great patent medicine antiques, though!

Just like Iron Man's Arc Reactor, Hall's Galvano-Electric Plaster and all the small body batteries that followed should have stayed in the world of fiction; maybe they can be included in the next Iron Man movie!

(left) Lowder's Magneto-Electric Battery (center design: two circles within a hexagon), ~1886 (courtesy of the Wellcome Collection; public domain); (right) Richardson's Magneto-Galvanic Battery (center design: heart), Journal and Courier (Lafayette, IN, 25 MAR 1881).*
(left) Lowder's Magneto-Electric Battery (center design: two circles within a hexagon), ~1886 (courtesy of the Wellcome Collection; public domain); (right) Richardson's Magneto-Galvanic Battery (center design: heart), Journal and Courier (Lafayette, IN, 25 MAR 1881).*
"Extremely Rare Galvanic Battery Medical Cure-All Medal, Token." Listed on eBay in July 2025. This is a very large and heavy battery; 2.75 inches x 2.28 inches (70x58 mm) and 1.59 ounces. The back is stamped "Made in Germany," but the eBay seller stated it was not; that was often stamped on items during the late 19th century as a sign of quality. (Courtesy of eBay seller thbco. This image is not linked to the eBay page because it has already been sold.)
"Extremely Rare Galvanic Battery Medical Cure-All Medal, Token." Listed on eBay in July 2025. This is a very large and heavy battery; 2.75 inches x 2.28 inches (70x58 mm) and 1.59 ounces. The back is stamped "Made in Germany," but the eBay seller stated it was not; that was often stamped on items during the late 19th century as a sign of quality. (Courtesy of eBay seller thbco. This image is not linked to the eBay page because it has already been sold.)
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(left) J. R. Flanigan Medal Battery, 1880; (center) John M. Lewis, 1880; (right) Boyd's Battery, 1878. (from patent drawings and other public domain files)
(left) J. R. Flanigan Medal Battery, 1880; (center) John M. Lewis, 1880; (right) Boyd's Battery, 1878. (from patent drawings and other public domain files)
Lynn Massachusetts history - History of medicine - 19th-Century Health Remedies - Vintage Medical Ephemera - 19th-century medicine
 
 
Vicious rumors about him were being spread, intentionally or not, by the doctor himself.
Dr. Galen E. Bishop, advertising trade card with an albument print (in the style of a carte de visite), ca.1865-1866. Rapoza collection.
Dr. Galen E. Bishop, advertising trade card with an albument print (in the style of a carte de visite), ca.1865-1866. Rapoza collection.

DEAR READER: For over 40 years now, I have been reading, researching, and collecting items about the common person’s pursuit of health during past centuries. I’ve seen enough to know when something is really different from just about everything else and the trade card of Dr. Galen E. Bishop is one of those choice pieces – he was definitely marching to the beat of his own drum. I think he’s got a great story to tell. I hope you’ll enjoy it.

Is this post-Civil War photo showing another young Harvard Medical School graduate?

Not even close.

This is a small trade card that turns the story of 19th century medical advertising inside out. Throughout the century, advertisements in newspapers, promotional booklets, broadsides, handbills, and trade cards all acknowledged that quackery was rampant, but pointed the accusing finger at the products and promises of their competitors. It was part of the strategy of almost every medical practitioner and medicine maker to elevate the stature of their own services and goods above the rest by claiming their competitors were all money-grubbing quacks pitching worthless medicines. Everyone was a worthless fraud except the advertiser who, of course, alone possessed the secret cure.

But Galen Bishop’s trade card was far different – he wasn’t throwing stones from a lofty perch of medical magnificence like the rest. Instead, he openly admitted he was being victimized by his competitors’ tricks and attacks. He was being assaulted by a swarm of medical locusts who were chewing up and spitting out his reputation. While the competition promoted themselves with humor, hyperbole, and outright lies, Galen Bishop was a straight-shooter; there was no slick spin to his card text. He didn’t mention the medicines he made or the cures he had performed like all the others consistently did; he chose instead to have his card read like a scandal sheet of epic proportions – and the target of all the mudslinging was himself. It was pure genius. No surprise.

DEAD SET

Galen Elliott Bishop had been thinking outside the box since he was a young boy. If he was ever coaxed as a kid to go to a square dance, he was more likely to just walk across the barn floor in a straight line.

From his youngest days, he was precociously single-minded and self-motivated about the path in life he wanted to follow.

Being born in rural Somerset, Kentucky, in 1824 meant his future success in the Appalachian foothills would be limited. He and his brothers were given the names of famous men – Galen, Erasmus, Henry Clay, and Andrew Jackson – almost as if each was being gifted a guiding star in their lives. Growing up in an era when young boys were still learning their livelihood through apprenticeship, Galen was groomed in the hot and hard work of his father Jacob, a blacksmith, but stirring the embers under red-hot horseshoes did nothing to stir his soul. A paternal uncle who lived close by his family was a saloonkeeper, but that certainly wasn’t an environment to train a young boy to become a man. Young Galen’s maternal uncle and namesake, Galen Elliott, was a physician who history says inspired him towards the field of medicine. That uncle died when Galen was only 12, and medical apprenticeship under his uncle had never been an option anyway, since his father wanted him to learn blacksmithing, but the seed of inspiration proved to be all that was needed.

The boy who was fascinated by medicine seemed foreordained to the career since his infancy when he was christened with the name of the ancient Greek physician – perhaps his occupation had been in the stars after all. From the time of his uncle Galen’s passing, “any spare moment was devoted to his favorite study” – medicine. In 1843, Jacob Bishop moved his family to Platte County in northwestern Missouri, another lightly populated area dominated by farms. It was perfect for a blacksmith to be surrounded by his customers – horses and oxen – but the smell of manure in the morning did nothing for Galen. Sounding very much like a child prodigy, every moment he could get away from his father’s blacksmith shop he spent reading medical books, preparing himself to become a doctor:

Nights, Sundays, holidays, at odd times, … never losing a moment from his books, spending every dollar and dime he could get hold of to procure them, he made such progress that he was ready for the practice of his profession before he had attained his full growth, or become of age. During all these years … he never had a preceptor, never read an hour under any one’s instructions, and just claims the high honor of being a self-made physician.

In his future, when he had his own “Academy of Medicine” built, he made one of its rooms a large library filled with his extensive collection of medical books, along with works on law, theology, physical science, and general literature. He was a voracious reader.

His relentless, unwavering determination to teach himself to become a physician brought both admiration and discomfort to those around him. He was found to be “a plain, practical, intelligent man,” but multiple descriptions noted his peculiarities: “we had heard much of his eccentricities.”; “Doctor Bishop was noted for his eccentricities.”

He had a youthful appearance and “rather good looks,” was small in stature, wore a long, braided pigtail that had fallen out of fashion for men a few decades earlier, and he was single – a marital status that didn’t change for 30 more years. He was definitely the guy who hovered near the punchbowl at the square dance, awkward in his eccentricities or peccadillos, out of step with the music and uncomfortable with inviting the pretty girl to dance.

The feature that stood out most frequently and prominently in descriptions about him was his native intelligence – certainly a peculiarity in its own right that may have been the source of his eccentricities:

He is said to be a medical genius, possessed of much talent, and can execute almost any kind of work. He ought certainly to succeed in business.

In the spring of 1846, when Galen was 21 (the age of majority in Missouri), he started practicing as a physician, introducing himself as Dr. Galen E. Bishop for the first time. He set up his office in the Platte County village of New Market where his family lived among the farms that separated Kansas City to the southeast from St. Joseph to the north. With just one grocery, two stores, a few manual labor businesses like Jacob Bishop’s blacksmith shop, and Solomon Bishop’s small rooming house, the little hamlet of about 150 people on Bee Creek barely merited a dot on the map.

As small as it was, Dr. Bishop had to compete with seven other doctors in the region round about, including a female doctor and a botanic physician. But the fledgling physician in New Market was undaunted. He had thoroughly investigated the nation’s grab bag of medical systems, which included the botanic, hydropathic, magnetic, and homeopathic methods, but he chose to start his own practice as an allopathic physician, which meant bleeding, blistering, and administering mercury to cause sweating and puking to balance the body’s humors – just like his ancient namesake had taught 1,700 years earlier.

DEAD END

Few across the young nation were better prepared than Galen Bishop to become a doctor – even those who had the benefits of years of medical apprenticeship under a preceptor and a full course of study at one of the country’s few well-established medical schools. What he lacked in classroom education he more than amply made up for in his drive, discipline, and insatiable reading habits sustained over the previous nine years.
Cover of Dr. Galen E. Bishop's Popular Journal of Medicine and Collateral Sciences, November 1853 issue. (Courtesy of Fondren Library, Rice University)
Cover of Dr. Galen E. Bishop's Popular Journal of Medicine and Collateral Sciences, November 1853 issue. (Courtesy of Fondren Library, Rice University)

In 1847, the year after Galen’s professional debut, the American Medical Association was formed, gathering together allopathic physicians – bleeders and pukers, just like him. The young physician from New Market, Missouri, may have seemed to be an ideal candidate to those who knew him, but on paper, he just didn’t qualify. He didn’t have the required apprenticeship or schooling. What he knew meant nothing to the admissions committee – how he came to know it was the measure that kept him out of the AMA clubhouse. Three years later, in 1850, the Missouri State Medical Association was formed with the same admission requirements. With his father’s passing in 1851, Galen had lost his link to the past and for a lesser man, exclusion from the medical societies could have meant the loss of his future in the career he cherished.

Galen Bishop just doubled down.

He abandoned his allopathic inclinations and decided to continue the practice of medicine the same way he had learned to become a doctor: he would do it on his own, without the assistance of anyone or devoting himself to any one type of medical thought, and he would never, no never, bow to any medical school graduates as his superiors.  

A true man never acquires after college rules, and we find our curiosity [aroused] concerning the modes of living and thinking of that man whose mind has not been subdued by the drill of school education. [from one of his advertisements, 1868]

… [Dr. Galen E. Bishop’s] practice is not hampered by the restrictive dogmas of any particular system. But he believes that some good and some foundation of truth exists in all systems, of which every physician should avail himself in his practice. [from a biography about him,1881]

In 1853, decades before the state or national medical associations started publishing their members-only professional journals, Dr. Galen E. Bishop was publishing his own. A newspaper reporter visiting New Market in November of that year stopped by its little printshop and watched in awe as Dr. Bishop operated as a one-man publishing staff, producing the newest issue of his own medical and scientific journal, The Popular Journal of Medicine and Collateral Sciences:

In the intervals [between] visiting his patients, he writes, sets type and prints, a rare combination of talents, for a new country. His Journal is printed monthly and contains 32 pages. He is said to be a medical genius, possessed of much talent, and can execute almost any kind of work.

The November issue turned out to be a ponderous tome of 96 pages containing three companion articles: “The Imponderable Substances”; “Electricity”; and “Atmosphere.” Cover to cover, it was filled with Dr. Bishop’s effusions on those heady scientific concepts. This particular issue contained no illustrations, advertisements, or medical content, and no contributions by anyone other than Dr. Bishop; he was smart to a fault and candidly, the issue bored the socks off of this 21st century researcher, but there’s no question the doctor was one very smart guy. Not surprisingly, there were no more issues after those of 1853, allegedly because he found it took too much time from his practice. For 19 years after his start in 1846, Dr. Galen E. Bishop practiced medicine and surgery among the rolling hills and fertile valleys of Platte County; then blood and gun smoke covered the land.

DEAD BODIES

The American Civil War shook Southern homelands with battles, raids, and skirmishes. The hostile acts of an angry nation even reached up into the northwestern corner of Missouri, a Union state. New Market and Platte County were surrounded by pro-Southern sentiment; while 2,000 men from the county north of where Galen Bishop lived had signed up for the Union Army, roughly the same number joined the Confederates. Southern bushwhackers like the infamous “Quantrill’s Raiders”  engaged in guerilla warfare in rural areas, ambushing their enemies and raiding the homes and businesses of Union sympathizers.

Even Dr. Bishop’s quiet Platte County experienced its own share of violence and destruction with fighting, ransacking, and burning. A cluster of rumors reached a newspaper in July 1864 that  bushwhackers were swarming about in great numbers: “For the last three days, facts and rumors have come to us so thick and fast as almost to create bewilderment. Unfortunately the truth is bad enough … Platte City is now in the hands of the guerillas.” Less than a year earlier, Dr. Bishop had signed up in the mandatory Union draft registration; the 38-year-old physician wasn’t called upon to serve, but  reaching his patients by traveling alone through the bushwhacker-infested countryside probably made for many unsettling trips.

In the spring of 1865, as the smoke and gunfire of war cleared, 40-year-old Dr. Bishop was ready for a change; with “threatened lung disease, induced by exposure incident to a rough country practice, and also with a view of securing a more central location, he determined to move to St. Joseph,” 20 miles north of New Market. With over 10,000 residents and at the end of the railroad line, it was an ideal location for a doctor – it had lots of potential patients and the ability to receive more from afar. Dr. Bishop located pretty much at the center of the city, on Francis Street opposite the Pacific House hotel.

DEAD CENTER 

St. Joseph was, indeed, a busy place; one of the busiest in the state, and the large 100-room Pacific House accommodated all sorts of visitors to the city, from heroes to criminals. Generals Grant & Sherman once stood together on its balcony, a vantage point that would have provided a clear view of Dr. Galen Bishop’s new office across the street. In stark contrast to the illustrious generals, two local women arrested on the charge of feeding bushwhackers were confined under guard at the hotel. Frank and Jesse James, two of Quantrill’s Raiders were frequent lodgers at the Pacific as well, in the years before they began robbing banks in nearby towns.  Rogues from the realms of quackery, like Dr. J. J. McBride, “The King of Pain,” and the miracle worker, Dr. Lighthill, worked out of the Pacific House when they were in town. Just how busy the hotel was became clear in April 1867 when a rare and strong
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earthquake hit the region and “The Pacific Hotel emptied a stream of affrighted guests into Francis street.” It was indeed a wise, strategic decision for Dr. Galen Bishop to locate his new office across the street from such an establishment of the glorious and notorious – new patients from near and far may not have known where Dr. Bishop was newly located, but they knew the Pacific. From the very start of his post-war advertising, his trade cards and newspaper ads specified, “I am permanently located in Saint Joseph, Mo., near the Pacific House, on Francis street.”

Dr. Bishop used his first wave of newspaper advertising to establish the breadth of his practice. His introductory ad ran in newspapers from mid-August 1865 through June 1866. They described his specialization in treating chronic diseases like tuberculosis, syphilis, cancer, and rheumatism, but unlike most doctors who advertised, he showed restraint by not making reckless promises to always cure those diseases.  The same ad also announced his availability to perform surgeries for hernia, cleft palate, cataracts, club foot, hemorrhoids, and other imperfections and abnormalities . Everything about this first year of newspaper advertising was positive, professional, and full of promise. His message was straightforward and matter-of-fact – no razzle-dazzle or shuck-and-jive – the brilliant, self-taught doctor was just confidently letting people know what he was certain he could do for them.

But then there was his trade card. It was printed and distributed during the same time that his newspaper ad was running but it talked to the reader in an entirely different way:

TO MY FRIENDS.

It has been reported through the country that I am dead, and that I am drunk, and at different times that I had moved to St. Louis or other distant places. Medicine peddlers and humbugs have tried to impose themselves on strangers and distant communities by assuming my name, and even nearer home my patients have been duped by men assuming my name.

HUH? Wait a minute here! If it wasn’t for the fact that he put his full name at the bottom of the card, I wouldn’t have believed this was a trade card about Dr. Galen E. Bishop!

Reverse side of Dr. Galen E. Bishop's advertising trade card, ca.1865-1866. Rapoza collection
Reverse side of Dr. Galen E. Bishop's advertising trade card, ca.1865-1866. Rapoza collection
Rumors and gossip often found their way into newspapers, but so far, no mention of Dr. Bishop’s alleged death, moral ruin, or relocation have been found in over 120,000 issues of newspapers from Missouri and bordering states during August 1865-June 1866. The small-time country doctor had just set up shop in the big town of St. Joseph – he was a strange choice for character assassination and a smear campaign. It seems incomprehensible that there would be so many rumormongers spreading untruths about him and impostors pretending to be him, let alone all at the same time. Besides, he had just relocated to St. Joseph during the same timeframe that this card was made; it therefore seems far more likely that he was creating his own news story rather than already fighting off critics and impostors. The saying, "All news is good news," had been in play for over a century; I believe this card was a publicity stunt perpetrated by Galen to get attention for his business in St. Joseph.

I use pure and costly medicines; my druggist is accused of charging my patients too much and paying me a per cent for my prescriptions; - a lie, growing out of strong competition in the drug business.

Dr. Bishop continued to unveil the cavalcade of calumnies leveled against him – exorbitant fees, conspiracy, and kickbacks – and these lies were being waged not by nameless gossipers or peddlers but by medicine manufacturers – according to this trade card, his list of enemies was as long as his list of sins.

I issue these Photographs to counteract those falsehoods and let the public know that I am “wide awake and duly sober,” and would advise the sick not to be kept away in the future by any falsehood originated by those noted liars.

Here we see Dr. Bishop beginning to fight back in his classic style: straightforward and no-nonsense. “I am wide awake and duly sober,” he wrote, and then offered his photograph to prove it. Even the photograph reflects his personality: the doctor looks forward, his facial expression lacking any emotion; the canvas behind him is devoid of artificial, painted scenery and there are no other pleasantries of a photographer’s set. His photograph focused on giving the reader only what he had promised – proof of life and sobriety.

Two versions of the Dr. Galen E. Bishop trade card have been located thus far.  (LEFT) the 1st version, ca. August 1865-June 1866; Rapoza collection. Note: the photographer who took this photo (Rudolph Uhlman) gained notoriety years later for creating a CDV souvenir card with a post-mortem photograph of the notorious bank robber, Jesse James, who was killed in St. Joseph in 1882.  (RIGHT) the 2nd version, June 1866 – December 1872 (Courtesy Dick Sheaff collection), but likely early in that window in that it shared the same message as the first and the issues raised would have been unlikely to have been the same if there was an intervening gap of years between the two cards. Note that in the second photo the doctor has a longer, fuller beard; a deeper vest opening; and the watch chain and T-bar are not being used. His beard fullness and length and possible gray hairs at his temple and over his ear indicate a slightly later photography session. Both cards have been dated by the location histories of the two photographers whose names and addresses appear at the bottom of the card backs. Besides the photographers, the only change in the text was renaming the hotel from Pacific Hotel in the first version to Pacific House in the second.
Two versions of the Dr. Galen E. Bishop trade card have been located thus far. (LEFT) the 1st version, ca. August 1865-June 1866; Rapoza collection. Note: the photographer who took this photo (Rudolph Uhlman) gained notoriety years later for creating a CDV souvenir card with a post-mortem photograph of the notorious bank robber, Jesse James, who was killed in St. Joseph in 1882. (RIGHT) the 2nd version, June 1866 – December 1872 (Courtesy Dick Sheaff collection), but likely early in that window in that it shared the same message as the first and the issues raised would have been unlikely to have been the same if there was an intervening gap of years between the two cards. Note that in the second photo the doctor has a longer, fuller beard; a deeper vest opening; and the watch chain and T-bar are not being used. His beard fullness and length and possible gray hairs at his temple and over his ear indicate a slightly later photography session. Both cards have been dated by the location histories of the two photographers whose names and addresses appear at the bottom of the card backs. Besides the photographers, the only change in the text was renaming the hotel from Pacific Hotel in the first version to Pacific House in the second.
These malignant reports, originating with my old enemies – the quacks and humbugs, and peddlers of physic – fall harmless on me; and are surely shots fired from the rear, in their last retreat.

In this sentence, Dr. Bishop purposely separated himself from the rabble of unqualified doctors of ill repute, calling them his enemies; even though he hadn’t qualified to be a member of the medical societies, he refused  to be dragged down into the mire of quackery. He saw himself as the exception to the professional vs. quack dichotomy of physicians; the regular vs. the irregular. He was wedged in between – the highly skilled physician who was not a member of the medical societies – a medical Missing Link.     

I am permanently located in Saint Joseph, Mo., near the Pacific House, on Francis street; and my office is open day and night, from year to year, where the sick will always find me alive, and will always find me sober. Believe nothing without first seeing me, as I deputize no one to attend to my business, or to know anything about it, except what each patient should know with regard to his own case.
DR. GALEN E. BISHOP.

From an advertisement in the St. Joseph Standard, 29 September 1873.
From an advertisement in the St. Joseph Standard, 29 September 1873.
Dr. Bishop concluded by telling his friends and prospective patients to trust only him, which really meant to stay clear of the irregulars and the medical society members – he was the only doctor they would need. He promised to be at his post day and night, every day of every year, alive, sober, and ready to bring all his knowledge and skills to bear in their behalf. Don’t listen to rumors, half-truths, or outright lies – “believe nothing without first seeing me.” Whether or not there had really been scandalous rumors and imposters besmirching his good name, the message of his trade card was as strong as his newspaper ads: he was professional, ethical, and capable – the perfect physician.

DEAD SERIOUS 

Within just three years, Dr. Bishop had issued 6,000 prescriptions for those afflicted with chronic diseases and at his “operating theater” he removed kidney stones in five patients, one of which was his own brother; he also operated on over 100 eyes for cataracts, and cut out 35 cancers and tumors, “specimens of which … may be seen in his pathological museum.”  The St. Joseph press praised Dr. Bishop’s “large surgical and chronic practice,” crediting the city’s post-war growth and success to him in no small measure, “The reputation of the city is raised by the professional ability of Dr. Bishop … his practice has become a feature in the material prosperity of St. Joseph,” and reported that he had received over 40 offers of partnership with other doctors who were clamoring to join in the success. 

Three Dr. Galen E. Bishop bottles.  (LEFT TO RIGHT) a small, clear pill bottle, an aqua bottle of Therapeia Biothrepteira, and a cylinder bottle with the doctor's monogram: "G E B".  (Courtesy of Dan Moser and Rebecca Ann Thacker.)
Three Dr. Galen E. Bishop bottles. (LEFT TO RIGHT) a small, clear pill bottle, an aqua bottle of Therapeia Biothrepteira, and a cylinder bottle with the doctor's monogram: "G E B". (Courtesy of Dan Moser and Rebecca Ann Thacker.)

His practice continued to grow and by 1873 it had been expanded into a new, large facility the doctor called his Academy of Medicine & Clinical Surgery, a three-story brick structure with Mansard roof and statuary perched on the front ledges, “beautiful in [its] architectural design and arranged with every modern convenience.” From the street, a list of about 200 diseases were displayed on the window shades – all of which could be removed or remedied through Dr. Bishop’s surgeries or medicines. He made his own medicines and had barrels of drugs stored in the back of his building.


His proprietary medicine line seemed to cover all needs, from Knownothing for venereal diseases; The Granger for renewing vigor, strength, and appetite; and The Native American for blood diseases; to The Amaranthus or Old Man’s Medicine to prevent, cure, and counteract the physical decline that comes with old age (oh yeah, I’m so ready for some of that!); and many more. Making proprietary medicines and advertising them were two more huge offenses to the medical societies, but their rules had long before prevented his admission, so there was nothing they could do to stop a non-member. Breaking these additional rules probably felt to Dr. Bishop like a bittersweet protest and rebuke of those groups who considered him unworthy to be counted among them; every bottle was a glass finger flipped in the air at them.

In contrast, however, all that he did, from making medicine to performing surgery, the doctor was widely admired by the public and the press for “stand[ing] by his own impressions with good-humored inflexibility, trusting himself ”: 

His rare surgical gift is the result of the cumulative experience of a whole life’s cultivation and an obedience to a secret impulse … of devotion to his profession, [which] so cloistered [him] and constitutionally sequestered [him] from society. … [It] ripened him into the most skillful surgeon in this country. He has his own methods. 

The city’s infatuation with its physician surgeon had blossomed into a full-blown love affair: The St. Joseph Gazette gushed,

Dr. Galen E. Bishop is now one of the most celebrated and distinguished physicians and surgeons known to the annals of the medical profession.

By the time that his Academy of Medicine was established, he was known throughout the West and patients came from many miles around to benefit from the vaunted physician. In March 1876 two little blind girls were brought to him from a small town 100 miles to the east; two more patients came in from Jackson County, Kansas, to the west; and a husband-and-wife couple arrived from Ray County, northeast of Kansas City, Missouri, the wife being afflicted with sore eyes and the husband with a diseased bone in his leg. Even Indians from one of the reservations in Kansas “had faith in the pale face medicine man. Sometimes a dozen could be seen in the doctor’s office taking treatment.” (The  Kickapoo reservation was the closest, at 50 miles west of St. Joseph.)

An older couple from Troy, Kansas, also came to the Academy of Medicine for help, the wife needing her eye treated by Dr. Bishop. Apparently avoiding the cost the Pacific hotel or nearby boarding houses, the 67- and 70-year-old couple had been camping near the Academy for a few weeks in October 1879, sleeping in their wagon and cooking by a camp fire, waiting their turn for the wife to be treated by the doctor.

Yesterday the old man strained himself carrying a sack of corn, and at 2 o’clock this morning he awoke his wife and informed her that he was sick. Upon striking a match it was found that he was bleeding profusely at the mouth. Dr Bishop was sent for, and in two minutes after his arrival, the poor man died. It is believed that he ruptured a blood vessel.

Dr. Bishop ran into some legal difficulties in the 1870s, being served with lawsuits for malpractice and slander. One patient sued the doctor for $20,000 ($586,010 in 2024 USD) for malpractice after multiple surgeries on both eyes resulted in making one eye blind and the other one effectively useless (so he was literally blind in one eye and couldn’t see out of the other). The verdict was in favor of Dr. Bishop, which met “with universal satisfaction.” A woman sued the doctor for slander, demanding $35,000 in damages ($1,025,518 in 2024 USD) for referring to her as a prostitute, but again the verdict found in favor of the popular doctor.

In May 1879, two weeks after the creation of a new St Joseph newspaper called The Evening News, the editor positioned himself squarely against Dr. Bishop, insisting he was an “impostor, swindler, and humbug … chief among ten thousand … corrupt quack and medical shysters.” The newspaper chided that he was perceived by others as a “medical saint (so considered by a few poor, deluded devils” but then insisted, “he lies in his teeth, in his throat, and way down deep in his black, cowardly, craven heart” and claimed they had at their office affidavits of some disillusioned former patients of the doctor to prove it. In the following months, however, the same newspaper mentioned Dr. Bishop’s activities on several occasions but dropped all insinuations that he had a sinister side.

Nothing seems to have come of the newspaper’s earlier assertions, either in court or in competing newspapers, and Doctor Bishop didn’t bother to produce a third revised edition of his trade card to add impostor, swindler, and humbug to the earlier accusations that he was dead, drunk, and disappeared.

DEAD STILL

Dr. Galen E. Bishop finally died in 1902 at 77 years old, after a lifetime of medical and surgical service. No evidence of drunkenness ever showed up, but at least the rumors of his death were no longer exaggerated.

Lynn Massachusetts History - History of Medicine - 19th-Century Health Remedies - Vintage Medical Ephemera - 19th-century Medicine
 
 

Updated: May 16

Shadow Cards in 1908

What Mr. Birtz held in his hands was clearly very special; the beauty and intricate craftsmanship of these paper amusements spoke for themselves. Each of these very delicate, die-cut advertising trade cards showed in amazing detail how to form one of ten different creatures in the shadows. There were lots of shadow cards on the market at the tail-end of the Victorian era, but none quite as fine as these. Fingers were articulated with artistic precision and anatomical accuracy, pointing and flexing in as many directions as necessary to form the fascinating shadow creatures. Across Europe and North America, little fingers struggled in delight to mimic the positions on each card that the beautiful tangle of ten digits quietly demonstrated.

No one could appreciate their artistry as much as Albert Birtz de Desmarteaux, a “temperer” in a knife works who strengthened and sharpened the cutting edges of knives and machine blades. He saw the card set while on a trip to his native Montreal, Quebec, in 1908; perhaps they were even evidence of his craftsmanship on the blades that had freed all those fingers and knuckles from the paper stock that had held them. The discriminating bladesmith instantly decided to bring the envelope of paper fingers to someone very special back in the U.S.A.

A Father's Gift to his Baby Girl. The complete set of 10 die-cut shadow cards and the envelope they came in. This ephemeral treasure has weathered 131 years of time without a single bent finger. Even in the best of circumstances, no human hand has fared so well for so long, proving perhaps, that we are more ephemeral than these delicate paper digits. (collection of the author)
A Father's Gift to his Baby Girl. The complete set of 10 die-cut shadow cards and the envelope they came in. This ephemeral treasure has weathered 131 years of time without a single bent finger. Even in the best of circumstances, no human hand has fared so well for so long, proving perhaps, that we are more ephemeral than these delicate paper digits. (collection of the author)
Albert brought the extraordinary collection home to Southbridge, Massachusetts for his one-year-old daughter, Claire, as her very first birthday gift. When she was old enough to understand, she was told to take them out only once each year, on her birthday, to look at and enjoy them. Albert and Claire had a very close father-daughter relationship; she turned out to be an only child, making her treasured even more by her father, who died when she was only fourteen. Claire never married or had children of her own. As a remembrance and tribute to her beloved father, she kept her promise and looked at that first gift only on her birthday each year. She then carefully returned them to their envelope and tucked them away for safekeeping for another year.

In 1994, the 87-years-old Claire Birtz attended one of my talks on advertising trade cards and came up to me afterwards, saying there was something she wanted to give me because she could tell I would appreciate and take good care of the cherished items. I met her at her home later that week. There she told me the story about these treasured cards from her father. She entrusted them to me, instructing me to protect and to display them as I thought best – this was about thirty years ago. Early this past August, I showed them to the public for the first time in my display at the national expo of the Federation of Historical Bottle Collectors (FOHBC) in Houston, Texas.

The expo concluded several weeks ago, but I still feel the need to share them in a more long-lasting manner. It then dawned on me that I should reach out to my long-time friend, Diane DeBlois, of the Ephemera Society of America. What better audience to admire and enjoy the enduring Birtz family story and legacy than the world’s largest group of ephemera enthusiasts?

The back of each card (translated from the French) explains the health benefits of adding Phoscao-Bébé, (a powder of phosphates and cocoa), to a child’s milk:

PHOSCAO-BABY
CHILDREN’S FOOD
MAKES TEETHING EASIER
HELPS WITH BONE FORMATION
 
On the other side are the detailed images and text instructions about how to make the shadow creatures. The French text on each card reads,

This cutting, exposed in front of a bright light, projected onto the wall in the image below. To get the same “animated” shadow, join your hands like the model.

Each card showed placement of the hand in front of a candle, since lightbulbs were a very new and uneconomical technology that still had a while to go before they would become the standard illumination across the land. The Phoscao-Bébé shadow cards probably suffered and disappeared in the hands of many children’s hands, their paper fingers getting bent, pulled, and eventually amputated from their ephemeral hands, and others probably were placed too close to real candles, going up in flames instead of shadows. Such is ephemera.

But not this set. Claire Birtz’s paper hands were treasured mementos from her dear father – her way of reaching out to him on every one of her birthdays for 87 of her 93 years, until she knew that her own end was near. Please join me in enjoying these cards and perpetuating the love for them that was never ephemeral, but eternal.

LA CHEVRE = THE GOAT
LA CHEVRE = THE GOAT

LE LOUP = THE WOLF
LE LOUP = THE WOLF

LE CYGNE = THE SWAN
LE CYGNE = THE SWAN

LE LAPIN = THE RABBIT
LE LAPIN = THE RABBIT

LE GARDE = THE GUARD (but I suspect it was more figuratively referring to The Troll)
LE GARDE = THE GUARD (but I suspect it was more figuratively referring to The Troll)

LE CANARD = THE DUCK
LE CANARD = THE DUCK

LE CHIEN = THE DOG
LE CHIEN = THE DOG

L'OISEAU = THE BIRD
L'OISEAU = THE BIRD

LE CHAT = THE CAT
LE CHAT = THE CAT

LE DIABLE = THE DEVIL. (Note to my daughter and other cat lover's out there: don't read anything into my choice to have The Cat followed by The Devil; it was just coincidence ... yeah, right.)
LE DIABLE = THE DEVIL. (Note to my daughter and other cat lover's out there: don't read anything into my choice to have The Cat followed by The Devil; it was just coincidence ... yeah, right.)

Claire's shadow cards on display at Houston24, the national exposition of the Federation of Historical Bottle Collectors (FOHBC) at Houston, Texas, in August 2024.
Claire's shadow cards on display at Houston24, the national exposition of the Federation of Historical Bottle Collectors (FOHBC) at Houston, Texas, in August 2024.
Lynn Massachusetts history - History of medicine - 19th-Century Health Remedies - Vintage Medical Ephemera - 19th-century medicine

 
 
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